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The tech industry is progressive and innovative, but not when it comes to women. It’s a man’s world and women in technology are in the minority.
In the UK, a report (Observer 2017) found that 74% of young girls were interested in STEM subjects and computer science, but only 25% hold computing jobs. This has declined from 36% in 1991. It’s no better in the US, where women have only 25% of the IT jobs. And 56% of them leave at the peak of their careers.
The pay? The average gender pay gap in the UK is 18%, but in the technology sector it is 25% (Mercer UK 2017)
The culture? A ‘sales-driven’ culture usually means an alpha male, boys club culture. Women are likely to find themselves in a room full of men. They often feel under pressure to ‘be one of the boys.’ Or get out.
The sexism? Uber’s alleged atmosphere of sexual harassment and gender discrimination definitely hasn’t helped. Nor did Google’s James Damore manifesto on why women are biologically inferior. Thankfully, they fired him.
The role models? 30% of 450 technology executives said that their groups had no women in leadership positions (Reuters). There have always been brilliant women in technology, but we need more of them.
Successful women in tech are leading the way:
There is The European Centre for Women and Technology, a partnership of more than 130 organisations that support women in tech from all over Europe. The European Ada Awards recognise women in technology, issuing annual awards such as Digital Girl of the Year, Digital Woman of the Year and Digital Impact Organisation of the Year.
However, one place to watch is Asia. In China, women are flexing their entrepreneurial muscles like never before, and they now run half of all internet startups.
And the tech sector for women to watch is Virtual Reality (VR). According to Luciana Cavalho Se, Head of Partnerships at Virtual Reality (VR) agency Rewind. ‘VR is fast becoming a medium in its own right, carving a space alongside music, art, film, and television. Sitting at the intersection of art and science, it has the potential to appeal to and engage girls and women of all ages, unlike any other medium before it.’